None of this was burned into the files – this color information is stored in the QuickTime header. During production, picture was monitored using a custom show LUT. This material was shot on an Arri Alexa Classic, encoded in Apple ProRes with a LogC gamma. EVALUATING COLORĬontinuing on in this Series, our media is securely downloaded to our local storage volumes. LiveGrade is not covered in this series, and will be an entirely different set of Insights here at. Typically, grades created with LiveGrade are matched to files held by Silverstack via timecode. Silverstack works great with Pomfort’s LiveGrade as a one-two punch combo for the ultimate solution for data and color management in production. ingested the media from camera at their station. Color correction inside of Silverstack can be affectionately referred to as ‘Delayed Grading’, since picture adjustments can only happen after the D.I.T.
Note: ‘ Live Grading’ is not possible from inside Silverstack it does not accept video signals coming in real-time. jobs require use of these color tools – you may never touch these controls at all, but it’s equally important that you understand how they work and fit in a production context. On-set color correction is an entirely different kind of problem solving than it is in the finishing room.
In most instances, these type of granular decisions are better executed in a color suite. The color tools are designed to be used on-set, in an environment where adjustments to picture such as grain emulation and shape tracking are non-essential. Silverstack is not a finishing application. Well, this all makes sense once you understand that the motivation for color in Silverstack is strictly for pre-visualization. What gives? With Resolve Lite being absolutely free and demonstrably more powerful, why does Pomfort bother with allowing color correction inside of Silverstack to begin with? But there isn’t any power windows, tracking, OFX support, or HSL qualifications.
SILVERSTACK LAB VS LIVEGRADE FULL
At our full disposal are the usual color tools – LGG wheels, RGB offsets, LUT and full ACES integration. You can absolutely perform color correction from inside of Silverstack while on-set.
SILVERSTACK LAB VS LIVEGRADE SERIES
Tutorials / Learning Silverstack / Learning Silverstack Part 4: On-Set Color Management Series
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